avril 2nd, 2013

That night I found her feverish and agitated. On seeing me, she flung her arms around my neck, but she cried for a long time in my arms. I questioned her as to this sudden distress, which alarmed me by its violence. She gave me no positive reason, but put me off with those evasions which a woman resorts to when she will not tell the truth. 

When she was a little calmed down, I told her the result of my visit, and I showed her my father’s letter, from which, I said, we might augur well. At the sight of the letter and on hearing my comment, her tears began to flow so copiously that I feared an attack of nerves, and, calling Nanine, I put her to bed, where she wept without a word, but held my hands and kissed them every moment.

- Armand Duval (La Dame aux camélias by Alexandre Dumas fills)

(Source : story-in-ballet, via aurelie-dupont)

mars 23rd, 2013

Agnes Letestu, Stephane Bullion

La dame aux camelias

Agnes Letestu, Dorothée Gilbert, Stephane Bullion

La dame aux camelias

mars 9th, 2013
Mathieu Ganio
La dame aux camelias
Prague ballet gala 2010

Mathieu Ganio

La dame aux camelias


Prague ballet gala 2010

février 22nd, 2013
ryanishka:

Isabelle Ciaravola

La dame aux camelias
Isabelle Ciaravola, Mathieu Ganio

ryanishka:

Isabelle Ciaravola

La dame aux camelias

Isabelle Ciaravola, Mathieu Ganio

février 7th, 2013

Marguerite began to laugh. 

“What are you laughing at?” 

“Nothing.” 

“Tell me, I beg of you, or I shall think you are still laughing at me.” 

“You won’t be cross?” 

“What right have I to be cross?” 

“Well, there was a sufficient reason why I went in alone.” 

“What?” 

“Some one was waiting for me here.” 

If she had thrust a knife into me she would not have hurt me more. I rose, and holding out my hand, “Goodbye,” said I. 

“I knew you would be cross,” she said; “men are frantic to know what is certain to give them pain.” 

“But I assure you,” I added coldly, as if wishing to prove how completely I was cured of my passion, “I assure you that I am not cross. It was quite natural that some one should be waiting for you, just as it is quite natural that I should go from here at three in the morning.” 

“Have you, too, some one waiting for you?” 

“No, but I must go.” 

“Good-bye, then.” 

“You send me away?” 

“Not the least in the world.” 

“Why are you so unkind to me?” 

“How have I been unkind to you?” 

“In telling me that some one was waiting for you.” 

“I could not help laughing at the idea that you had been so happy to see me come in alone when there was such a good reason for it.” 

“One finds pleasure in childish enough things, and it is too bad to destroy such a pleasure when, by simply leaving it alone, one can make somebody so happy.” 

“But what do you think I am? I am neither maid nor duchess. I didn’t know you till to-day, and I am not responsible to you for my actions. Supposing one day I should become your mistress, you are bound to know that I have had other lovers besides you. If you make scenes of jealousy like this before, what will it be after, if that after should ever exist? I never met any one like you.” 

“That is because no one has ever loved you as I love you.” 

“Frankly, then, you really love me?” 

“As much as it is possible to love, I think.” 

“And that has lasted since—?” 

“Since the day I saw you go into Susse’s, three years ago. 

“Do you know, that is tremendously fine? Well, what am to do in return?” 

“Love me a little,” I said, my heart beating so that I could hardly speak.

La dame aux camélias by Alexandre Dumas fills

(Source : story-in-ballet, via aurelie-dupont)

janvier 14th, 2013

dazzledvale:

★ all time favourite ballerinas | agnes letestu

janvier 1st, 2013
thedailyballet:

Mathieu Ganio and Isabelle Ciaravola in rehearsal for John Neumeier’s La Dame aux Camélias.
Photo © Nikolay Krusser.

thedailyballet:

Mathieu Ganio and Isabelle Ciaravola in rehearsal for John Neumeier’s La Dame aux Camélias.

Photo © Nikolay Krusser.

décembre 20th, 2012
Mathieu Ganio
Armand - La dame aux camelias

Mathieu Ganio

Armand - La dame aux camelias

novembre 4th, 2012

Agnès Letestu and Stéphane Bullion in La Dame aux camélias, World Ballet Festival 2012.Photo © NBS/Kiyonori Hasegawa
Agnes Letestu, Stephane Bullion
La dame aux camelias

Agnès Letestu and Stéphane Bullion in La Dame aux camélias, World Ballet Festival 2012.
Photo © NBS/Kiyonori Hasegawa

Agnes Letestu, Stephane Bullion

La dame aux camelias

(Source : juotin, via aurelie-dupont)

août 19th, 2012
Alina Cojocaru, Alexandre Riabko
La dame aux camelias

Alina Cojocaru, Alexandre Riabko

La dame aux camelias

(via ferrrra)

août 15th, 2012
ryanishka:

Alina Cojocaru and Alexandre Riabko

ryanishka:

Alina Cojocaru and Alexandre Riabko

juillet 12th, 2012
Alina Cojocaru, Alexandr Riabko
La dame aux camelias

Alina Cojocaru, Alexandr Riabko

La dame aux camelias

juin 18th, 2012
Alina Cojocaru, Alexandre Riabko
La dame aux camelias

Alina Cojocaru, Alexandre Riabko

La dame aux camelias

juin 5th, 2012
  • A: Favorite ballet

Giselle. It´s my classical top. Then I love John Cranko´s Onegin and La dame aux camelias by John Neumeier.

  • B: Favorite female dancer?

Alina Cojocaru. And Agnes Letestu. No comment, they are both amazing.

  • C: Favorite male dancer?

Johan Kobborg - he is the first, because for one thing he´s a wonderful dancer and for another he is the most passionate and the most impressive actor I´ve ever seen on stage.

Ed Watson - Oh my, have you ever seen his legs?! ;) and besides this I love that moment, when you look at his eyes while he´s dancing and there is everything you have to know.

And Mathieu Ganio - just because he is real danseur noble. Just because he is perfect…

And Rudolf Nurejev, of course :)

  • F: Favorite non-classical piece?

In the middle somewhat elevated by W. Forsythe, Chroma by W. McGregor and Solo for three by Petr Zuska.

  • J: Dream role?

Giselle, Tatiana, Marquerrite Gautier and Odette/Odile (how unexpected!)

  • P: How long you’ve been dancing?

15yrs (omg!)

  • R: Other interests besides dance?

I study theory of dance at university, so… ;)

  • U: Favorite choreographer?

Rudolf Nurejev - I love his works for Paris Opera. Jiří Kylián, Wayne McGregor - I fell in love with Chroma.

  • V: Favorite company?

Paris Opera ballet, Royal ballet Covent Garden

  • X: Do you honestly think you’re a good dancer?

:D :D :D