Zenaida Yanowsky
24 Preludes
mai 13th, 2013
Alina Cojocaru
24 preludes
mai 12th, 2013
Radka Příhodová, Adam Zvonař
Sakura
mai 11th, 2013
Alina Cojocaru
Les lutins rehearsal
photo: A. Uspenski
mai 9th, 2013
Vincent Chaillet by Gregory Derkenne for Repetto Collection Danse 2010-2011.
Vincent Chaillet
Prague ballet gala backstage
avril 30th, 2013
Lauren Cuthbertson, Edward Watson
Romeo and Juliet, first kiss
avril 29th, 2013
Rudolf Nurejev
Albert
avril 28th, 2013
Lopatkina in “Dying swan”
Photo: N. Krusser
Uliana Lopatkina and Andrei Ermakov in “Marguerite and Armand.” Photo (c) Mark Olich.
avril 27th, 2013
Mathieu Ganio
L´acteur vedette
I know everyone has a favourite dancer. But you can’t compare artistry.
Marianela Nuñèz (via ilovemarianela)
(via royalballet)
If you can’t hold your torso in paralel position and your HIPS SQUARED then it doesn’t matter if you can lift your leg to the infinite and beyond. It’s preferably to hold your hips square even if your leg don’t go further than your shoulder. A good posture is an essential part of a good technique.
(via gatogus)
GatoGus: Ballet changing
I think specially for women that ballet has degenerated in the recent years. Ballet just like ópera or theater was an art with the very difficult task of transmit emotion with dance (without any words) A ballerina needed to be great actress to do this. Nowadays ballet is about how skinny can get…
